This was one of the first film's to deal with the affects of Nazi Germany's concentration camps on their survivors. Sol Nazerman, operator of a Pawn Shop, and a concentration camp survivor faces a horrid internal conflict. Being engulfed in a New York Getto Environment, Sol suffers flashbacks. The flashbacks juxtapose concentration camp treatment with Getto neighborhood treatment. Although, the flashbacks suffer several historical inaccuracies, the point is well made. His internal conflicts between submitting to the= same injustices he and his family suffered or resisting the injustice= a peak at the end of the film
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