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宋体;color:black;mso-font-kerning:0pt">后,在厂内一些同志的提议下,经中央及北市有关领导同意,确定原总参测绘学院划归北影厂改建新厂。改建面积! N" y8 V# r. K* t' S0 p. n. h
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font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">座,特技棚、剪辑、录音楼、洗印车间、厂部办公楼各, {! V! k- j! Bmso-fareast-font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:1 n, S! t. ~* n: v3 S! ]1 L
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) [/ }7 `4 B5 C& F# ~3 c2 k; Hmso-font-kerning:0pt">年底竣工,从此北影厂便迁到了这座占地面积约 H7 s" ?3 l7 E+ ?7 cmso-fareast-font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:# t- j0 _6 g; G0 D7 w* l% w
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mso-font-kerning:0pt">万平方米的现址。“文化大革命”结束后,军宣队撤离北影厂,5 Z1 S& i& A& c6 t7 |- Q% ^
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宋体;color:black;mso-font-kerning:0pt">月文化部任命汪洋为领导小组组长,同年5 V3 ]- F" i' H" |7 p7 y) ?
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font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">月正式任命汪洋为厂长,新班子带领北影厂经过一段时间的拨乱反正,便开始全面恢复影片生产。在2 z0 J+ j5 S% I e4 r' v
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$ d# J- Q. @5 X1 {mso-font-kerning:0pt">年的国庆献礼片中,推出了《小花》、《瞧这一家子》、《铁弓缘》、《泪痕》、《甜蜜的事业》、《七品芝麻官》等一批优秀作品,在国内分别获得了《大众电影》百花奖和文化部颁发的优秀故事片与优秀戏曲片奖,形成了新时期北影厂第一个创作高峰。随后,在改革开放后% c3 u+ ?, J0 V" v
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mso-font-kerning:0pt">余年的创作历程中,又相继涌现出了《伤逝》、《如意》、《骆驼祥子》、《夕照街》、《血,总是热的》、《寒夜》、《武林志》、《边城》、《良家妇女》、《红楼梦》、《血色清晨》、《斗鸡》、《龙年警官》、《过年》、《天堂回信》、《大撒把》等一大批颇具影响的影片。它们当中既包含了水华、凌子风、陈怀皑、谢铁骊等老一辈艺术家丰富艺术经验的重新展示;也融会了黄健中、王好为、李文化、王君正、张华勋等中年人才的艺术贡献;同时,以夏刚、李少红等人为代表的一批青年导演的成长与成熟,为北影厂创作注入了新的活力。新时期以来,北影厂在合拍与对外协拍方面也取得了丰硕成果,并为此专门成立了合拍部。0 T/ B& i" j6 {8 Z: I宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">
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宋体;color:black;mso-font-kerning:0pt">年协助意大利电视台拍摄的影片《马可·波罗》;5 v" R( V; ?* }5 V& @4 E/ y
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0 a u, `/ ]+ a# B) u7 Q' I) i& O2 w宋体;color:black;mso-font-kerning:0pt">年与日本东光德间株式会社合拍的影片《一盘没有下完的棋》;' W% d1 U4 T, A3 T' u4 v宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">
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0pt">198, C- {+ ^* M" @" G$ w; ]
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mso-font-kerning:0pt">年与菲律宾文化中心合拍的影片《苏禄国王与中国皇帝》;& _7 w/ m7 }3 |3 Y( ^0 v# E
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mso-font-kerning:0pt">年因拍摄《霸王别姬》,由香港汤臣影业公司出资,又对该景进行了重新扩建,使“一条街”成为了首尾贯通的“五条街”,为海内外影视机构拍摄老北京题材的作品提供了有利条件。5 U9 G: i+ J! ]. S
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