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mso-font-kerning:0pt">年底竣工，从此北影厂便迁到了这座占地面积约1 Q9 |% X0 J: J, q( F- `* g0 Imso-fareast-font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:
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5 g; `5 L' t0 o3 Gmso-font-kerning:0pt">万平方米的现址。“文化大革命”结束后，军宣队撤离北影厂，9 O g- S( X* L3 {* q- G+ Mmso-fareast-font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:
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宋体;color:black;mso-font-kerning:0pt">月文化部任命汪洋为领导小组组长，同年0 _$ J, l) u+ [" z0 A
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0pt">8. l7 S9 ~+ G0 B0 c0 n& ^2 Pfont-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">月正式任命汪洋为厂长，新班子带领北影厂经过一段时间的拨乱反正，便开始全面恢复影片生产。在9 e; E2 w# c K* s; y9 v
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mso-font-kerning:0pt">年的国庆献礼片中，推出了《小花》、《瞧这一家子》、《铁弓缘》、《泪痕》、《甜蜜的事业》、《七品芝麻官》等一批优秀作品，在国内分别获得了《大众电影》百花奖和文化部颁发的优秀故事片与优秀戏曲片奖，形成了新时期北影厂第一个创作高峰。随后，在改革开放后# ^2 q8 q0 f9 m7 ?1 q& ^# Jmso-fareast-font-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:
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9 C+ S" J9 V' d0 M$ Pmso-font-kerning:0pt">余年的创作历程中，又相继涌现出了《伤逝》、《如意》、《骆驼祥子》、《夕照街》、《血，总是热的》、《寒夜》、《武林志》、《边城》、《良家妇女》、《红楼梦》、《血色清晨》、《斗鸡》、《龙年警官》、《过年》、《天堂回信》、《大撒把》等一大批颇具影响的影片。它们当中既包含了水华、凌子风、陈怀皑、谢铁骊等老一辈艺术家丰富艺术经验的重新展示；也融会了黄健中、王好为、李文化、王君正、张华勋等中年人才的艺术贡献；同时，以夏刚、李少红等人为代表的一批青年导演的成长与成熟，为北影厂创作注入了新的活力。新时期以来，北影厂在合拍与对外协拍方面也取得了丰硕成果，并为此专门成立了合拍部。4 B9 s1 }: T7 L4 X& E/ L宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt"> $ ^1 L2 W1 e7 k
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宋体;color:black;mso-font-kerning:0pt">年协助意大利电视台拍摄的影片《马可·波罗》；: u, j; r) {/ ?$ S; p' t- U6 ^8 e% e
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$ s- k0 {7 S6 }! \! Z" J/ s/ Fmso-font-kerning:0pt">年与菲律宾文化中心合拍的影片《苏禄国王与中国皇帝》；6 h$ z. P0 M, m; d
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mso-font-kerning:0pt">年与北京: w& @3 _7 l w9 H
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0pt">83 b& D$ \1 `" G8 s- K) kfont-family:宋体;mso-bidi-font-family:宋体;color:black;mso-font-kerning:0pt">厂合作研制出的“双镜头分光型立体镜头”，使中国告别了双机拍摄立体电影的历史。, u3 b* x4 s2 ~$ u# L& N8 r
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发表于 2012-1-19 14:38:00
发表于 2012-1-19 21:32:00
